Metadata Writing Press Colophon Newsletter Writing Michael Wilson / 25 Years On Michael Wilson’s photographs for Nonesuch Records, September 2024 A Gradually Expanding Surface A dispatch on experimental music for The Drift, July 2023 Ingram Marshall Built and Obscured Monoliths of Sound An appraisal for The New York Times, June 2022 On John Adams Essay for the box set John Adams Collected Works from Nonesuch Records, June 2022 Music for Hard Times Liner note for the album by Danny Clay and The Living Earth Show, December 2021 The Only One Liner note for the Louis Andriessen album on Nonesuch Records, March 2021 I Still Play Liner note for the album I Still Play from Nonesuch Records, May 2020 The Pieces That Fall to Earth Liner note for the album of vocal works by Christopher Cerrone, June 2019 5 Minutes That Will Make You Love the Piano On Debussy’s La terrasse des audiences du clair de lune for The New York Times, April 2019 An Economy of Means Liner note for the album of works by Robert Honstein, May 2018 After Bach Liner note for the Brad Mehldau album from Nonesuch Records, March 2018 Pulse / Quartet Liner note for the Steve Reich album Pulse / Quartet from Nonesuch Records, February 2018 Hear the Martha Argerich Recordings That Inspired 8 Young Pianists On Martha Argerich’s Bartók for The New York Times, October 2017 Bach: Trios Liner note for the Chris Thile, Yo-Yo Ma and Edgar Meyer album from Nonesuch Records, April 2017 30 Pieces in 30 Days: Thomas Adès’s Piano Quintet On Adès and Schubert for WQXR, January 2015 On “I Will Learn to Love a Person” Program note for Christopher Cerrone’s song cycle, June 2014 La Commedia Liner note for the Louis Andriessen album from Nonesuch Records, June 2014 On “The Rite of Spring” On Stravinsky for Carolina Performing Arts, July 2012 Old Friend at Great Length Essay on the compositional process for Fortnight Journal, April 2012 Press Contemporary Composers: Timo Andres Pwyll ap Siôn, Gramophone, October 2024 [.pdf] “I think I would write a musical before I wrote an opera”: The Timo Andres Interview Ben Gambuzza, The Best Is Noise, September 2024 The Sound and Space of Illinoise: How Justin Peck and Timo Andres Turned a Beloved Album Into a Broadway Hit Chris Murphy, Vanity Fair, May 2024 Andres: The Blind Banister [review] Pwyll ap Siôn, Gramophone, April 2024 The Blind Banister album review—original, arresting and eclectic Andrew Clements, The Guardian, March 2024 Composer/Pianist Timo Andres Is Having a Week Craig Byrd, Cultural Attaché, March 2024 Two Sides of Timo Andres Tom Jacobs, San Francisco Classical Voice, March 2024 A Savvy Pianist in the Middle of the Room Steve Smith, Musical America, March 2024 [.pdf] A guiding hand in the darkness: Timo Andres discusses ‘The Blind Banister’ James Bash, Oregon Artswatch, February 2024 Timo Andres: Tiny Desk Concert Tom Huizenga, NPR Music, January 2024 Timo Andres on Philip Glass’s Piano Etudes [podcast] Kirk McElhearn & Doug Adams, The Next Track, December 2023 Geeking Out On Glass With Timo Andres John Schaefer, New Sounds, December 2023 I Think About the Listener Constantly [YouTube interview] Saad Haddad, The Saad Haddad Show, September 2023 Timo Andres: The Rhythm Man Ethan Iverson, Transitional Technology, June 2023 The Next Track: Timo Andres on Classical Music that Doesn’t Sound Like Classical Music [podcast] Kirk McElhearn & Doug Adams, The Next Track, May 2023 Timo Andres is bridging music and clothes [podcast] Jeremy Kirkland, Blamo!, August 2022 Chris Cerrone and Timo Andres on Musical Economy Anna Heflin, Which Sinfonia, June 2021 [.pdf] 21 for ’21: Composers and performers who sound like tomorrow Michael Andor Brodeur, The Washington Post, January 2021 Classical (R)evolution with Rachel: Timo Andres [interview] Rachel Fenlon, Idagio, November 2020 The Next Track: Making Home Videos and the Creative Process [podcast] Kirk McElhearn & Doug Adams, The Next Track, October 2020 How a Pianist Salvaged His Lost Carnegie Hall Debut Joshua Barone, The New York Times, May 2020 The Next Track: Composer and Pianist Timo Andres on Concertizing at Home [podcast] Kirk McElhearn & Doug Adams, The Next Track, May 2020 Beauties of Brevities [review] Harry Rolnick, ConcertoNet, September 2019 The Watch List: Timo Andres David Coggins, The Contender, August 2019 Timo Andres: Work Songs [review] Jamison Pfeifer, The Brooklyn Rail, June 2019 Meet The Artist: Timo Andres [interview] Frances Wilson, The Cross-Eyed Pianist, April 2018 A Room-Size Painting Becomes a Cello Concerto About Versailles Joshua Barone, The New York Times, April 2018 The Musical Geometry of Timo Andres on Display [review] Joshua Kosman, SF Gate, January 2018 Timo Andres: On Classical Music and Cooking Molly Mandell, Kinfolk, September 2017 Timo Andres on Composition Britten Sinfonia, February 2017 A beginner’s guide to Timo Andres: 6 pieces you should know Matthew Parsons, CBC Music, December 2016 Timo Andres: The Next Track [podcast] Kirk McElhearn & Doug Adams, The Next Track, October 2016 Bold Moves Russell Platt, The New Yorker, July 2016 Timo Andres Talks Magpie Aesthetics Patrick Marschke, Liquid Music Blog, November 2015 Timo Andres in dialogue with the past, playing Schubert and Glass [review] Anne Midgette, The Washington Post, January 2015 Lending Mozart a Left Hand [review] Zachary Woolfe, The New York Times, June 2014 Q & A with Timo Andres Ojai Music Festival, June 2014 Composer Timo Andres goes for the beauty Britt Robson, Star Tribune, March 2014 ‘Old Friend’ is formed over a piano and some coffee David Weininger, The Boston Globe, January 2014 First Listen: Timo Andres And The Metropolis Ensemble, ‘Home Stretch’ Anastasia Tsioulcas, NPR First Listen, July 2013 Timo Andres: Home Stretch [review] Seth Colter Walls, eMusic.com, July 2013 [.pdf] Timo Andres/Gabriel Kahane [review] Anne Midgette, The Washington Post, April 2013 Present Music: Composer Timo Andres Tom Strini, Urban Milwaukee, June 2022 Pianist Timothy Andres’s Insight and Virtuosity [review] Ken Herman, San Diego Story, September 2012 The Witty and Reverent Musical World of Timothy Andres Seth Colter Walls, WQXR, April 2012 The L.A. and Brooklyn new music scenes, competition or love-fest? Mark Swed, The Los Angeles Times, March 2012 10 Questions for Timothy Andres Brian Holt, Out West Arts, March 2012 In Studio: Timothy Andres John Schaefer, WNYC Soundcheck, April 2011 Effortless magic from a rising star Larry Ryan, The Independent, March 2011 Pianists, Yes, But a Jazz Singer and Deep Metal Too Brad Mehldau, The New York Times, February 2011 Holiday Gift Guide: Classical Music [“Shy and Mighty”] Allan Kozinn, The New York Times, November 2010 Mozart by Andres Alex Ross, The Rest is Noise, July 2010 Shy and Mighty [review] Andrew Clements, The Guardian, May 2010 Timothy Andres: Not a Rebel Daniel Stephen Johnson, The New Haven Advocate, May 2010 [.pdf] Brazen Alex Ross, The New Yorker, April 2010 John Adams conducts young composer-performers at Disney Hall [review] Mark Swed, The Los Angeles Times, May 2009 Composer-pianist Andres plays with skill and zest Richard Dyer, The Boston Globe, June 2006 [.pdf] Ignore the conductor Alex Ross, The New Yorker, May 2004 Colophon Made using Nova published with WordPress Fonts used Electra and Neue Haas Grotesk Designed & maintained by Timo